I enjoyed this, especially because I'm a parent of a young adult male, but found myself wanting more background on the young Naval enlistee and a little more detail on the relationship between father and son. Perhaps that would have brought me into the story totally.
Descriptions were radio-friendly clear and simple and the reporter painted a good picture of the bus setting in the outset. I especially enjoyed how she introduced the Navy by describing how dad rolled up his sleaves on a warm day to reveal tattoos, tattoos that he got while serving in the Navy.
I was intrigued by the way she took us through three emotional stages of dad as the day of departure for the Navy approached and became reality.
The story was honest, authentic and respectful of subject and listener. It didn't grab my full attention but it is unique, well produced, well narrated and certainly timely.
By the way the piece opens, i thought it was going to be a sentimental profile about a blue-collar worker, but it's actually a sweet narrative about a father sending his best friend -- his son -- into the military. The narrator has a great tone/manner; she talks straight to the listener.
Lovely lovely story. So much emotion, so much sadness without spelling it all out for you. I thought I'd hear from the son at the end of the story, but then as the story progressed I realized the son was already gone. If that was a conscious choice, it was a good one because the son IS gone for Sturge so we sort of feel that emptiness, too, cause WE never get to hear from him.
Producer Sara Wood follows city bus driver "Sturge" Whalen who is coping with his son ("Little Sturge") starting a 5 year stint in the Navy. As the story moves, Sturge gradually reveals more and more emotion about having to let his son go. Unlike most of the news coverage of the war which focuses on emotionless facts, offensives, and other abstractions, this kind of narrative is a compelling glimpse into the human side of war and its effect on families and friendships. Not overly sentimental, it is honest and thoughtful. Sara’s narration mixes well with the storyteller’s voice and helps move this piece along from point to point. The sounds of the bus are excellent throughout, and I like the tiny bits of silence that accent different “chapters” in the story, which give the listener a chance to reset. I really enjoyed this, and think it would make a great spot on All Things Considered.
Comments for Measure, Measure, Measure
Produced by Sara Wood
Other pieces by Salt Institute for Documentary Studies
Rating Summary
4 comments
Bill Anderson
Posted on July 21, 2006 at 10:12 AM | Permalink
Review of Measure, Measure, Measure
I enjoyed this, especially because I'm a parent of a young adult male, but found myself wanting more background on the young Naval enlistee and a little more detail on the relationship between father and son. Perhaps that would have brought me into the story totally.
Descriptions were radio-friendly clear and simple and the reporter painted a good picture of the bus setting in the outset. I especially enjoyed how she introduced the Navy by describing how dad rolled up his sleaves on a warm day to reveal tattoos, tattoos that he got while serving in the Navy.
I was intrigued by the way she took us through three emotional stages of dad as the day of departure for the Navy approached and became reality.
The story was honest, authentic and respectful of subject and listener. It didn't grab my full attention but it is unique, well produced, well narrated and certainly timely.
[redacted]
Posted on April 26, 2006 at 10:35 AM | Permalink
Review of Measure, Measure, Measure
By the way the piece opens, i thought it was going to be a sentimental profile about a blue-collar worker, but it's actually a sweet narrative about a father sending his best friend -- his son -- into the military. The narrator has a great tone/manner; she talks straight to the listener.
Sara Lerner
Posted on April 25, 2006 at 09:54 AM | Permalink
Review of Measure, Measure, Measure
Lovely lovely story. So much emotion, so much sadness without spelling it all out for you. I thought I'd hear from the son at the end of the story, but then as the story progressed I realized the son was already gone. If that was a conscious choice, it was a good one because the son IS gone for Sturge so we sort of feel that emptiness, too, cause WE never get to hear from him.
Lou Blouin
Posted on January 19, 2005 at 01:38 PM | Permalink
Review of Measure, Measure, Measure
Producer Sara Wood follows city bus driver "Sturge" Whalen who is coping with his son ("Little Sturge") starting a 5 year stint in the Navy. As the story moves, Sturge gradually reveals more and more emotion about having to let his son go. Unlike most of the news coverage of the war which focuses on emotionless facts, offensives, and other abstractions, this kind of narrative is a compelling glimpse into the human side of war and its effect on families and friendships. Not overly sentimental, it is honest and thoughtful. Sara’s narration mixes well with the storyteller’s voice and helps move this piece along from point to point. The sounds of the bus are excellent throughout, and I like the tiny bits of silence that accent different “chapters” in the story, which give the listener a chance to reset. I really enjoyed this, and think it would make a great spot on All Things Considered.