Some months ago, I griped about how all public radio reports about Uganda seem to dwell upon AIDS, violence, or oppression. Now comes an exception--Tara Anderson's commendable feature about a pioneering filmmaker in Uganda.
Unfortunately, this piece relies too much on words. True, Anderson includes clips of actors and singers; but they seem token and fail to convey much atmosphere.
Especially for stories about far-away places, editors and reporters should throw away words, sentences, even paragraphs of precious text, or a whole voice cut, in order to allow time for sound. Consider: it is only through ambience, loud and clear (or soft but enduring), that a feature can breathe. More often than not, it is silence, or the pause for sound, that gives radio its power--rather than the wedging in of one more fact. This is true even in news reports.
End of sermon. I listen forward to Tara Anderson's next feature about Uganda.
Comments for Mira Nair in Uganda
Produced by Tara Anderson
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Alex van Oss
Posted on June 01, 2005 at 09:01 PM | Permalink
Review of Mira Nair in Uganda
Some months ago, I griped about how all public radio reports about Uganda seem to dwell upon AIDS, violence, or oppression. Now comes an exception--Tara Anderson's commendable feature about a pioneering filmmaker in Uganda.
Unfortunately, this piece relies too much on words. True, Anderson includes clips of actors and singers; but they seem token and fail to convey much atmosphere.
Especially for stories about far-away places, editors and reporters should throw away words, sentences, even paragraphs of precious text, or a whole voice cut, in order to allow time for sound. Consider: it is only through ambience, loud and clear (or soft but enduring), that a feature can breathe. More often than not, it is silence, or the pause for sound, that gives radio its power--rather than the wedging in of one more fact. This is true even in news reports.
End of sermon. I listen forward to Tara Anderson's next feature about Uganda.