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Playlist: Hour shows

Compiled By: Rose Weiss

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Blues For Modern Times (formerly Blues For Modern Man) (Series)

Produced by Jerry L. Davis

Most recent piece in this series:

Blues For Modern Times #176

From Jerry L. Davis | Part of the Blues For Modern Times (formerly Blues For Modern Man) series | 59:00

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This is show #176 of the Series "Blues For Modern Times", (formerly called Blues For Modern Man). This show is produced to be broadcast as either a weekly Series, or it can be easily be used as a stand-alone episode. The focus of this Series is to support today's Modern Blues music and working Blues Artists, and it highlights the great variety of music that they record. My shows use mainly just received new, and artists latest Blues releases in each show, though I occasionally blend in other modern Blues music. Today’s Blues are a diverse and exciting genre, as todays Blues Artists play in various styles of Blues. This allows me to create a true Blues variety show that should appeal to most any curious music lover. These programs DO NOT have to be ran in order-however-the higher the show number, the newer the music in the program. These shows ARE NOT dated at all, so that this Series can begin to be run at any point or show number, at your Stations discretion.
  This show is designed for the music lover, with a great variety of music. It's also for the Blues lover, to check out the latest from some of their favorite artists, and to discover new Blues artists and their recordings. And this show is a good intro to the Blues for new Blues listeners, to help them discover the diversity in today’s modern Blues music. I produce this show solely to be a part of a NPR/Community Station's regular weekly 1 hour show lineup. This show focus is on the music, and I inform listeners of the songs I've played, what album it's from, and an occasional tidbit or two on the Artist or the tune.  I post my playlists and more on my Facebook Page for the Show, Blues For Modern Times.
Since the show is aired regularly on several stations, I produce and upload NEW SHOWS EVERY WEEK. My hope is to grow both the number of stations and listeners of this program, thereby fulfilling my mission to support working Artists, and share today’s Blues music with as many listeners as possible...Upon request, I also can produce 25 second spots for each show if desired by your station, leaving :05 to announce show day and time.

Reveal Weekly (Series)

Produced by Reveal

Most recent piece in this series:

1018: We Regret to Inform You, 5/4/2024

From Reveal | Part of the Reveal Weekly series | :00

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Classical Guitar Alive! (Series)

Produced by Tony Morris

Most recent piece in this series:

24-24 Cimarosa, Mertz, Ponce “Sonata Romantica,” Morel’s Fantasia de la Danza”

From Tony Morris | Part of the Classical Guitar Alive! series | 58:58

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TO: All Stations

FR: Tony Morris

DT: June 10, 2024

RE: ***CLASSICAL GUITAR ALIVE!   24-24 Cimarosa, Mertz, Ponce “Sonata Romantica,” Morel’s Fantasia de la Danza”

 

In Cue: MUSIC IN "Hello and welcome to..."

Out Cue: "...another edition of Classical Guitar Alive!"

Program Length: 58:57

 

INTRODUCTION:

 Bizet:  Carmen Suite: Prelude       Los Romeros, guitar quartet

                                                        (Philips 412-609)

PROGRAM BEGINS:

 

Cimarosa: Sonata in G Minor              Hannu Anala, guitar,  Mari Mantyla, decacorde

             “Musica Barocca a Due”   (Alba 2023) (3:39)

 

Mertz: Duo Concertant uber ein Theme aus Elisir d’amore     Brian Torosian, guitar,

                                                                                                 David Schrader, piano

                           “Mertz: Guitar & Piano Duos”      (Brian Torosian 2012) (9:13)            

 

Ponce: Sonata Romantica  “Homage a Schubert”      Jason Vieaux, guitar

                                “Manuel Ponce: Guitar Sonatas” (Azica 2001) (22:31)

 

Morel: Fantasia de la Danza                     Krzysztof Pelech, guitar,
                                              Capella Bydgostiensis,  Michal Nesterowicz, conductor

                                         (Luthier Music 2006) (20:05)

 

CLOSING THEME/FUNDING CREDITS

 

This week’s program features a keyboard sonata by Cimarosa arranged for guitar and decacorde (10-string guitar), Mertz’s Duo Concertant for guitar and piano on a theme from the Donizetti opera The Elixir of Love, Manuel Ponce’s Sonata Romantica in homage to Franz Schubert, and Argentine composer Jorge Morel’s “Fantasia de la Danza” for guitar and orchestra.

 

CLASSICAL GUITAR ALIVE! is a weekly one-hour music with interviews program that is sound-rich, energetic, and has a positive vibe. It is an audience bridge-builder program that attracts both core classical audience and fans of all kinds of acoustic music.

 

Classical Guitar Alive! celebrates 25 years of national distribution and airs each week on over 200 stations. FUNDRAISER EDITION of Classical Guitar Alive! is available here to all stations: http://www.prx.org/pieces/187790-fundraiser-editio

 

CGA! is a winner at PRX's 13th Annual Zeitfunk Awards: #1 Most Licensed Producer, and #2 Most Licensed Series.

Blue Dimensions (Series)

Produced by Bluesnet Radio

Most recent piece in this series:

Blue Dimensions M17: The Salerno Concert — Bob Mover & Walter Davis, Jr. in concert in 1989

From Bluesnet Radio | Part of the Blue Dimensions series | 59:00

Moverdavis_small In this hour of Blue Dimensions, alto saxophone player Bob Mover and pianist Walter Davis Jr., recorded in 1989 in a concert in Salerno Italy. These two worked as a duo, more in Europe than in the U. S. Perhaps a duo of saxophone and piano wasn't a popular configuration here, but the music they made is excellent, and this concert is a welcome discovery. We'll play several tracks from it. We also have a song from blues pianist Walter Davis, no relation to Walter Davis Jr., who had a distinctive minor-key style and signature phrasing as a pianist and vocalist. Plus: new music from boogie woogie pianists Lluís Coloma and Erwin Helfer together on an album called "Two Pianists Too Cool." We have new music as well from trumpeters Jeremy Pelt and Allen Dennard, and saxophonists Nicole Glover and Jim Snidero.

promo included: promo-M17

You Bet Your Garden (Series)

Produced by You Bet Your Garden

Most recent piece in this series:

YBYG1327T: You Bet Your Garden # 1327T Growing a Great Pumpkin Patch, 4/25/2024

From You Bet Your Garden | Part of the You Bet Your Garden series | 54:58

Ybyg-sp-p_small On this Pumpkin prepping episode of YBYG Mike McGrath teaches you how to grow a great Pumpkin patch! Plus your fabulous phone calls!!

A Way with Words (Series)

Produced by A Way with Words

Most recent piece in this series:

Beside Myself (#1535)

From A Way with Words | Part of the A Way with Words series | 54:00

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In response to our conversation about how to handle swearing in high-school classrooms, a longtime teacher shares a strategy that works for her. She insists that anytime students want to swear in her presence, they should instead say the words Moo Cow.
 
Carol from Falmouth, Massachusetts, is curious about this bit of wisdom from her father: As you travel through life, whatever your goal, keep your eye on the doughnut, and not on the hole. The Mayflower Coffee Shop chain, based in New Jersey and New York in the 1920s and 1930s, had a similar slogan. Word historian Barry Popik has collected other versions, including Between optimist and pessimist, the difference is droll. The optimist the doughnut sees, the pessimist the hole. An earlier version: As you ramble through life, Brother, whatever be your goal, keep your eyes upon the doughnut and not upon the hole.
 
Some proper names could also function as verbs. For starters, there's Grant, Bob, Josh, Mark, Chip, and Sue.
 
Gabriel Ray from Virginia Beach, Virginia, wonders about the history of something his grandfather used to say in a shoulder-shrugging way: Everything's duck but the bill. The origin of this phrase is unclear, but it's similar to a couple of old proverbs: Nothing ruins a duck like its bill and A wise duck takes care of its bill both serve as warnings to be careful with the things coming out of one's mouth, or metaphorically, out of one's bill.
 
The old-time radio performer Fred Allen had some great one-liners, such as Hanging is too good for a man who likes puns; he should be drawn and quoted. He also said I like long walks, especially when taken by someone who annoys me. Among his most profound observations: A human being is nothing but a story with skin around it.
 
Quiz Guy John Chaneski's puzzle involves subtracting the names of Greek letters from sentences. For example, the name of which Greek letter could be removed from the following sentence to leave another English word? I piled my gear on the horse that was in front.
 
Gina from Athens, Texas, wonders if there's any rhyme or reason to the names we give to the denizens of a particular place. There are a few general rules for creating demonyms, the names applied to the denizens of a particular locale. George R. Stewart, a professor at the University of California Berkeley, has written extensively on the topic of municipal onomastics, including the books Names on the Land and American Place Names. But there are so many exceptions to any general rules for how demonyms are formed that your best bet is simply to memorize them.
 
The giant statues of Easter Island are called moai. They're the subject of a Nova/National Geographic special about who those statues might have been moved into place. The technique that islanders used to move them may have involved tugging at ropes tied around the statue and extending out opposite sides. The statues could then be moved by tugging from alternate directions and "walked" the way you might move a heavy object like a refrigerator. The indigenous term for this technique is neke neke, which translates as "walking with no legs."
 
Jimmy and his high-school classmates wonder about the pronunciation of words like zooplankton, zoology, and zoological. The traditional pronunciation for many scientific terms that start with zoo- is to use a long o rather than an oo sound. The reason stems from the fact that the original Greek roots for these words use two different Greek letters -– omega, which is a long o, and omicron, which is a short one. These days, though, the word zoo, short for zoological garden, influences the way lay people pronounce those words.
 
Peter in Eau Claire, Wisconsin, asks how the expression I'm beside myself came to mean "upset" or "unsettled." The phrase suggests an out-of-body experience and came into English in the 14th century via a French translation of the Aeneid.
 
Science historian Cecelia Watson's splendid new book Semicolon: The Past, Present, and Future of a Misunderstood Mark is her long love letter to an underappreciated punctuation mark.
 
Marian in Norfolk, Virginia, says a character in the new Downton Abbey movie uses the term swag meaning either "bunting" or "stuff," and wonders if its use in the film is a linguistic anachronism. In fact, swag was used with both those meanings long before the early 20th century, when that story takes place. 
 
Matt, a new college grad in Austin, Texas, wants guidance about what kinds of things are appropriate to share during conversations in the workplace. Sociolinguist Janet Holmes has extensively researched and written about communication in the workplace. 
 
Suzanne in Williamsburg, Virginia, but grew up in Southern California, where she used the term go-aheads for the rubber-soled shoes that other people call flip-flops or rubber thongs or zoris.
 
This episode is hosted by Grant Barrett and Martha Barnette.

Juke In The Back With Matt The Cat (Series)

Produced by Matt "The Cat" Baldassarri

Most recent piece in this series:

Episode #730 - Elmore James: 1951-55

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

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Elmore James: 1951-55


Elmore JamesElmore James never tried to have crossover success. He was a bluesman through and through; an ambassador of the Mississippi Delta Blues with a modern, 1950s electric twist. Elmore's blues was as pure as his ambitions when starting out as a sideman for now legendary blues harpist Sonny Boy Williamson II. James played on several Williamson sessions held in 1951 at Trumpet Records in Jackson, MS, until he was coaxed into playing the Robert Johnson tune, "Dust My Broom" in August. Trumpet gave James one side of the original 78 RPM release and in early 1952, "Dust My Broom" became a national R&B hit! Ike Turner, who was scouting for the Bihari Brothers of LA's Modern Records, found Elmore and got him signed to a four year deal with the Biharis. They issued his first record on their Meteor subsidiary and "I Believe," a reworking of "Dust My Broom," also became a top 10 national hit. Elmore James wouldn't score another hit record until 1960, but in those years in-between, James issued some incredible and highly influential blues sides, featuring his legendary slide guitar style. James would go on to inspire The Rolling Stones, The Yardbirds, early Fleetwood Mac and others, but would not live to see it. This week, Matt The Cat dusts off some prime Elmore James 78s from several labels and in many blues styles. Many of these records built off the original "Dust My Broom" guitar lick, but they are also good enough to stard firmly on their own.

Sound Ideas (Jazz & Blues) (Series)

Produced by Clay Ryder

Most recent piece in this series:

Sound Ideas #393 - Finger Poppin' Small & Large

From Clay Ryder | Part of the Sound Ideas (Jazz & Blues) series | 57:30

Sound_ideas_small This is the three-hundred-ninety-third episode in a thematic series focused on jazz, blues, and spoken word.

Finger poppin' is a phenomenon that harkens back to the birth time of jazz. A catchy rhythm or beat is all that's needed to get the audience snapping their thumbs, or in a hipper dialect, finger poppin'. In this hour, we will explore some small and large ensembles that are groovin' to the beat and inviting listeners to join in with some finger poppin'.

The Spanish Hour with Candice Agree (Series)

Produced by Candice Agree

Most recent piece in this series:

The Spanish Hour 2405: Dances, Impressions & Rhapsodies

From Candice Agree | Part of the The Spanish Hour with Candice Agree series | 58:30

Tumblr_inline_pbw3l7tkzo1uns891_1280_small From a Valencian medieval legend to the seat of the ancient Incan empire to pre-Colombian Peru and Bolivia to Cuba and the Argentine tango, works by Ginastera, Rodrigo, Lecuona and Frank, featuring flutist Eugenia Zukerman, pianist Thomas Tirino, and conductors Enrique Bátiz and Keith Lockhart, exploring contemporary visions of times gone by.