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Playlist: KRISTA COURNOYER's Portfolio

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Disney Death

From Jake Warga | 07:47

Walt Disney's use of death in his films

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Disney Death
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Jake Warga

Thumbbambi_small A look at how Disney shaped a generation's cultural framework for understanding one of life's greates mysteries. Bambi, Old Yeller...BANG! 7:45 final edit. 5:30 broadcast edit at: http://www.wnyc.org/studio360/show112004.html

This I Believe - Brian Grazer

From This I Believe | Part of the This I Believe series | 03:43

Oscar-winning movie producer Brian Grazer believes it's good to disrupt his personal comfort zone.

Tiblogobluesmallrgb_small HOST: Today we hear from film and TV producer Brian Grazer. With director Ron Howard, he runs Imagine Entertainment; their most recent movie was The Da Vinci Code. With an Oscar, Emmys, and critical and financial successes to his credit, Brian Grazer has a certain amount of power in Hollywood. His phone calls get answered. Still, he is a restless man. It turns out restlessness is a way of life for him, a belief in fact. Here is Brian Grazer with his essay for This I Believe. ESSAY: I was 45 years old when I decided to learn how to surf. Picture this scene: The North Shore of Oahu -- the toughest, most competitive surfing spot on the planet. Fourteen-foot swells. Twenty tattooed locals. And me, five-foot, eight-inches of abject terror. What will get me first, I wondered, the next big wave or the guy to my right with the tattoo on his chest that reads RIP? They say that life is tough enough. But I guess I like to make things difficult for myself, because I do that all the time. Every day and on purpose. That's because I believe in disrupting my comfort zone. When I first started out in the entertainment business, I made a list of people I thought it would be good to meet. Not people who could give me a job or a deal, but people who could shake me up, teach me something, challenge my ideas about myself and the world. So I started calling up experts in all kinds of fields: trial lawyers, neurosurgeons, CIA agents, embryologists, firewalkers, police chiefs, hypnotists, forensic anthropologists and even presidents. Some of them -- like Carlos Castaneda, Jonas Salk, and Fidel Castro -- were world-famous. Of course, I didn't know any of these people and none of them knew me. So when I called these people up to ask for a meeting, the response wasn't always friendly. And even when they agreed to give me some of their time, the results weren't always what one might describe as pleasant. Take, for example, Edward Teller, the father of the hydrogen bomb. You've heard of him? However he'd never heard of me. It took me a year of begging, cajoling and more begging to get to him to agree to meet with me. And then what happened? He ridiculed me and insulted me. But that was okay. I was hoping to learn something from him -- and I did, even if it was only that I'm not that interesting to a physicist with no taste or interest in pop culture. Over the last 30 years, I've produced more than 50 movies and 20 television series. I'm successful and, in my business, pretty well-known. I'm a guy who could retire to the golf course tomorrow where the worst that could happen is that my Bloody Mary is watered-down. So why do I continue to subject myself to this sort of thing? The answer is simple: Disrupting my comfort zone, bombarding myself with challenging people and situations, this is the best way I know to keep growing. And to paraphrase a biologist I once met, if you?re not growing, you're dying. So maybe I'm not the best surfer on the north shore but that's okay. The discomfort, the uncertainty, the physical and mental challenge that I get from this -- all the things that too many of us spend our time and energy trying to avoid -- they are precisely the things that keep me in the game.

This I Believe - Brian Eno

From This I Believe | Part of the This I Believe series | 03:54

English musician Brian Eno believes group singing is good for the mind, body, spirit and community.

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HOST: Our This I Believe essay today comes from artist, producer, and musician Brian Eno (EE-noe).  Eno is known as the father of ambient music, and he's collaborated with musicians like David Byrne, Bono, David Bowie, and Paul Simon.  We recorded Eno one evening in the London flat where he keeps his recording studio.   Here's Brian Eno with his essay for This I Believe.

ENO: I believe in singing.  I believe in singing together.

A few years ago a friend and I realized that we both loved singing but didn't do much of it.  So we started a weekly a capella group with just four members.  After a year we started inviting other people to join.  We didn't insist on musical experience-in fact some of our members had never sung before.  Now the group has ballooned to around 15 or 20 people.

I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence, heightened sexual attractiveness, and a better sense of humor.  A recent long-term study conducted in Scandinavia sought to discover which activities related to a healthy and happy later life.  Three stood out:  camping, dancing and singing.

Well, there are physiological benefits, obviously:  You use your lungs in a way that you probably don't for the rest of your day, breathing deeply and openly.  And there are psychological benefits, too:  Singing aloud leaves you with a sense of levity and contentedness.  And then there are what I would call "civilizational benefits."  When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community.  That's one of the great feelings-to stop being me for a little while, and to become us.  That way lies empathy, the great social virtue.

Well here's what we do in an evening:  We get some drinks, some snacks, some sheets of lyrics and a strict starting time.  We warm up a bit first.

The critical thing turns out to be the choice of songs.  The songs that seem to work best are those based around the basic chords of blues and rock and country music.  You want songs that are word-rich, but also vowel-rich because it's on the long vowels sounds of a song such as "Bring It On Home To Me" ("You know I'll alwaaaaays be your slaaaaave"), that's where your harmonies really express themselves.  And when you get a lot of people singing harmony on a long note like that, it's beautiful.

But singing isn't only about harmonizing pitch like that.  It has two other dimensions.  The first one is rhythm.  It's thrilling when you get the rhythm of something right and you all do a complicated rhythm together:  "Oh, when them cotton ball get a-rotten, you can't pick very much cotton."   So when 16 or 20 people get that dead right together at a fast tempo that's very impressive.  But the other thing that you have to harmonize besides pitch and rhythm is tone.  To be able to hit exactly the same vowel sound at a number of different pitches seems unsurprising in concept, but is beautiful when it happens.

So I believe in singing to such an extent that if I were asked to redesign the British educational system, I would start by insisting that group singing become a central part of the daily routine.  I believe it builds character and, more than anything else, encourages a taste for co-operation with others.  This seems to be about the most important thing a school could do for you.

This I Believe - Alaa El-Saad

From This I Believe | Part of the This I Believe series | 02:52

Texas student Alaa El-Saad believes in wearing a hijab, a religious head covering for Muslim women.

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HOST:   Our This I Believe essay today comes from Alaa El-Saad  [ah-LAAH ell-SAHD], a 15-year-old student at John B. Connally High School in Austin, Texas.  Alaa is Muslim and she writes not so much of belief in that religion, but her right to express that belief.  Here's Alaa el-Saad with her essay for This I Believe.

EL-SAAD: America is built on the idea of freedom, and there is no exception for Muslim women.  I believe in the freedom of religion and speech.  But mostly, I believe it’s OK to be different, and to stand up for who and what you are. So I believe in wearing the hijab.

The hijab is a religious head covering, like a scarf. I am Muslim and keeping my head covered is a sign of maturity and respect toward my religion and to Allah’s will.  To be honest, I also like to wear it to be different. I don’t usually like to do what everyone else is doing.  I want to be an individual, not just part of the crowd.  But when I first wore it, I was also afraid of the reaction that I’d get at school.

I decided on my own that sixth grade was the time I should start wearing the hijab.  I was scared about what the kids would say or even do to me. I thought they might make fun of me, or even be scared of me and pull off my headscarf. Kids at that age usually like to be all the same, and there’s little or no acceptance for being different.

On the first day of school, I put all those negative thoughts behind my back and walked in with my head held high. I was holding my breath a little, but inside I was also proud to be a Muslim, proud to be wearing the hijab, proud to be different.

I was wrong about everything I thought the kids would say or even do to me. I actually met a lot of people because of wearing my head covering. Most of the kids would come and ask me questions—respectfully—about the hijab, and why I wore it.

I did hear some kid was making fun of me, but there was one girl—she wasn’t even in my class, we never really talked much—and she stood up for me, and I wasn’t even there!  I made a lot of new friends that year, friends that I still have until this very day, five years later.

Yes, I’m different, but everyone is different here, in one way or another.  This is the beauty of America.

I believe in what America is built on:  all different religions, races and beliefs.  Different everything.